Front
Back (apologies for my handwriting!)
The text of the postcard is
Dear Ellen,
Here you go! You get part one of my ultra post modern art! (If I don’t deserve a gallery showing, who does!?)
(Awesome picture – you should really look at the postcard …)
Sincerely,
DumbFunnery.com
If you think this makes no sense, try reading last week’s. It might help (might).
Front
Back (apologies for my handwriting!)
The text of the postcard is
Dear Ellen,
I think it’s time for me to begin my ultra post modern art career (where I’ll draw simple shapes then write sexual phrases in a sensual font (God knows what that means), like a circle and then “hubba hubba”). The key is not my art, that’s rock solid, but instead to have a nutty art critic love my work, THEN all the other critics need to give rave reviews so they won’t appear to be heind.
Easy peasy!
Sincerely,
DumbFunnery.com
In 1976, the twenty-six-year-old Belgian director Chantal Akerman returned to New York – the site of her wanderings earlier in the decade – to make “News from Home,” a serene and monumental time capsule of Manhattan streetscapes and subways. Akerman transformed her luminous, textured images of the city’s rectilinear majesty by means of a simple yet radical gesture: she paired them, on the soundtrack, with her own reading of newsy and needy letters that her mother wrote from their home town of Brussels.
– The New Yorker
Other feature films that Akerman was rumored to have considered:
DumbFunnery 